American Art and National Identity
![]() Fig 6. John Marin, 1870-1953 Downtown, the El, 1921, etching, 6-7/8 x 8-7/8 inches Brauer Museum of Art, Gift of the FRIENDS of Art, 94.15 |
By the turn of the century, however, the American city became
a potent symbol of national power. If the wilderness landscape had served as the symbol of
divine promise, the city was proof of Yankee productivity, America come of age, a dynamo
of industrial achievement. John Marin's dynamic print of New York's elevated train (fig.
6) communicates the excitement that many Americans felt about the urban landscape with its
towering heights and endless bustle, its hymns to technology and industry and the power of
capitalism to transform the landscape into a modern metropolis. ...[continue] |