FALL/WINTER 2022-2023: VOLUME XXIV, NUMBER 1
Editor: Edward Byrne
CONTENTS
- Angela Ball: “Each Person a Corridor”
- Lisa Barnett: “Unfinished Classics”
- David J. Bauman: “Field Notes with Hawk and Toad”
- Roy Bentley: “Elegy with Cloudless Summer Sky”
- Matthew Brennan: “Madame Edith Brown (1874-1956), Proprietor”
- David Cazden: “Vertigo”
- Carson Colenbaugh: “Feeding: Savannah River at Twilight”
- Rachel Custer: “Woman”
- William Virgil Davis: “In the Back Yard”
- Barbara Duffey: “Bazille’s Studio”
- Richard Foerster: “I Watched from My Adirondack Chair”
- Chris Haven: “The Woman’s Smile”
- Michael P. Hill: “Ghost Sign”
- Ann Hudson: “Lockdown, Menopause”
- Charlotte Innes: “Owls”
- Richard Jordan: “Casting”
- Katie Kemple: “Rearview”
- Anna Lewis: “What Else Is There”
- Frannie Lindsay: “The Best Window”
- John Linstrom: “A Fulfillment”
- Josh Luckenbach: “Trying to Let Things Be as They Are”
- Mary Makofske: “Small Boats”
- Thomas Mitchell: “Crow Genesis”
- John Muro: “Goldfinch”
- Kathy Nelson: “Easter Sunday, 1956”
- David O’Connell: “Period Piece”
- Daye Phillippo: “The Conquering Hero”
- Doug Ramspeck: “Midsummer Grass”
- David Salner: “Falling”
- Annette Sisson: “Under a White Moon”
- David Stephenson: “Scar Tissue”
- Alison Stone: “So It Goes”
- Jeanne Wagner: “Honeydew Sonnet”
- Erin Wilson: “Circle”
- Liza Wolff-Francis: “Exploring Ecopoetry: Changing Definitions”