Mark DeFoe: Three Poems




Dark, oh dark, each day is shrinking, the light turns

weaker each morning, each evening declines

so soon, edging toward a brittle sundown.

The land curls on itself, burrows down, clings

to what heat it can, knowing the cut of wind,

the hard-frozen sod, the white-crusted branch.


This fading is no surprise. Every branch

is sharp-etched, a Japanese print, day turns

from fading to gone. And the lurking wind

cannot be trusted; it whips or declines

without warning, in the shadows cold clings

to its cruel power, building toward sundown.


It all moves fast, this slipping toward sundown.

Each tree sleeps in its warm core, every branch

waits better days. And so we humans cling

to dreams of thaw, to distant summer, turn

to the days before this bloodless decline,

to remembering the flowery wind.


We know better. Stonehenge plotted this wind,

this light spooling down toward frozen sundown.

Feasting, beer, wine may yet halt this decline.

Shuffle and stomp and wave the sacred branch

of mistletoe. Burn blood and do not turn

away. Chant the holy words and cling, cling


to each hour added to each day. Cling

to hope beyond each gust of starving wind,

our bellies caving, our stark ribs. Men turn

to gnawing, watching the axis tilt. Sundown

by sundown, soft ice clogs the swollen branch,

while bleak midwinter slowly relents, declines.


Yule logs have blazed, announcing this decline.

and each year we believe the ashes, cling

to our faith in the embers’ glow. Branch

will yet be lined with swollen buds, the wind

will fall. We feel the grip of each sundown

loosen, each night retreats. Our numb hearts turn.


Winter’s tread grows distant. Its legions turn

from plunder. Bird song teases dawn, pleases sundown.

The fallow earth awaits a soft, sweet wind.





                                             Franklin and Jefferson wrote about them. Benjamin Banneker,

                        who lived near Ellicott’s Mills, MD, wrote of “a great locust year” in 1749.


The thud of sudden silence. No more thrumming,

Doppler drone of the males, calling “Weeee-whoa.

Pharaoh, Pharaoh.” Now burnished gold wings

scatter the lawn, the walk, float our coffee,

glue to our cars, decals of their passing.


Clumps of brown branch tips clutter the grass,

dangle in a million trees. The gargoyle husks

of this last molting still cling to our maples,

our pampered ornamentals. We have born

their ghastly red-eyed bumbling, hanging on

our skirts, ricocheting off our foreheads.


They seek not escape, but a month to practice

‘Predator Satiation”—snacks for birds,

possum, cats, squirrels, snakes, foxes, dogs and ten

trillion ants, a stupendous slaughter

to lure the females to a chorus tree.


After mating the females cut slits in twigs,

lay eggs, which hatch and fall to earth. The larva

burrow deeply, living on the juice of tree roots,

emerging after 17 years. And thus

the cycle begins again. Other researchers

assert this dark hiatus underground

is in their DNA, one equation

to avoid enemies from their ancient past.


What to make of all this? We share the world with

creatures we loath, who remind us of when we

climbed from the slime, sniffing for a mate,

standing on feeble legs, waving our

appendages, certain there was charm

in our musky croaking. Strutting at the top

of the food chain, what new tools will we fashion

to modify our fate? What new tongue will we

conjure to articulate our fond farewell?


Ahead of us stretch miles of poems like this,

rife with riddles leading to The Big Goodbye.

What future progeny will stand musing

in their brave new world, observing our

passing and remark—how bazaar their life cycle,

how odd and quaint their courtship rituals,

how very lonely their long silence.





in the hall, I nod. I rehearse

my memoirs, but my yarns seem too


humble to share. Our lives deflect

off our shells of dreams. We will not


stand and deliver, revealing

lands unknown. I could learn your lingo,


be bemused by your quaint customs,

but why invest in arcane myths?


At the party others seemed glad

to hear your spiel. But you wouldn’t


care for my wry—been there, done that.

We will never know what we lost.


Let that be a lesson to us.

Living wears hard spots on the soul,


where any hopeful knot slips off,

where no ivy of affection


takes root.  You seem such a decent sort.

When we pass in the hall, we nod.


Mark DeFoe is Professor Emeritus of English at West Virginia Wesleyan College where he teaches in Wesleyan’s low-residency MFA Writing Program. His tenth chapbook, In the Tourist Cave, was published in 2012 by Finishing Line Press. DeFoe’s poems have been published in Poetry, Yale Review, Kenyon Review, Sewanee Review, Paris Review, New Letters, Michigan Quarterly Review, Mississippi Review, North American Review, Poetry Ireland Review, Smartish Pace, Tar River Poetry, Salmagundi, GW Review, South Carolina Review, Denver Quarterly, Southern Humanities Review, and many others.

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